The European wildcat population is increasing its spread. Yet most people have never encountered these shy animals, which share few similarities with our domesticated felines. Roaming through the wilderness, from the Scottish Highlands to the Black Sea, they are loved by some and ignored by others. Researchers have been using smart forensic methods to learn more about their secretive life and have discovered that wildcats aren’t as solitary as has long been assumed, nor is their habitat restricted to woodlands. Christine Sonvilla has followed the trails of these striking animals and offers an insight into the hidden lives of Europe’s little tigers.

With “Astray”, Martin Lechner offers us another enigmatic and superbly entertaining game of deception.

Powerfully eloquent, funny and expressive, the novel tells of Lars, a school drop-out who evades military service in favour of community service in the workshops of a psychiatric hospital. There, Lars finds refuge from his mother, whose abusiveness is worse than that of any raging patient. This is also where Lars meets Hanna, a patient who swiftly gets him tangled up in all manner of delightful scuffles, but whose radical attitude soon takes on a threatening scale. Was it her who torched the workshop leader’s car? How long before the flames of their passion also devour Lars’ fragile attempts to find his place in the world? And can those who’ve gone astray ever find their way back to an orderly life?

Hoffnungslos, aber nicht ernst: Ferčecs Roman ist ein kleines existentialistisches Meisterwerk.

Wunder wird es in den Staaten des ehemaligen Jugoslawien tatsächlich keine geben, auch wenn der Kapitalismus sie unablässig verspricht. Bender, der vor dem Bürgerkrieg geflüchtet ist und seitdem in der Fremde im Exil lebt, kehrt erstmals in das zerstörte Dorf seiner Kindheit zurück. Sein Vater, der in Kroatien geblieben ist, ruft ihn: Die Mutter ist verschwunden, Bender soll helfen, sie zu finden. Präzise, lakonisch und mit schwarzem Humor beschreibt Goran Ferčec die Alltagsroutinen und die vergebliche Suche der beiden Männer. Vater und Sohn sind traumatisiert und außerstande, Worte für ihre Verluste zu finden, ihre kargen Dialoge scheinen geradewegs aus dem absurden Theater eines Beckett zu stammen. So knapp und so untergründig komisch ist bisher noch selten von der Sinnlosigkeit des Kriegs erzählt worden.

The celebrated author and passionate gardener Barbara Frischmuth shares her thoughts on nature and language.

Nature and culture cannot be kept separate. They continuously intertwine, visibly and invisibly, but not always harmoniously. From the outset, humankind has tried to tame and subjugate nature. And the more spectacularly successful we are in doing this, the less we think about how dependent on it we still are. This shows most clearly in the language we use to try and label and describe nature – be it in the fictional, poetic, factual or scientific context. In her essay, Barbara Frischmuth seeks to illustrate how nature is discussed in literature, culture, science and in everyday life. To underestimate nature would be perilous. To value and even love it equals human enlightenment. The essay series UNRUHE BEWAHREN (Keep Uncalm) is a response to an increasingly uncomfortable present tendency. At the heart of modern-day progress lies a wasteful unrest, while the past is progressively devalued and the future is robbed of substance. This is opposed by the principle of anachronism. Engaged contemporaneity should be coupled with the courage for caution and a passion for the outmoded. UNRUHE BEWAHREN is therefore also the theme to which the spring and autumn lecture series at Akademie Graz are dedicated. Edited by Astrid Kury, Thomas Macho, Peter Strasser Advice: Harald Klauhs

Die Highlights aus 50 Jahren Grand Prix-Geschichte in der goldenen Jubiläumsausgabe

Seit 1971 erscheint das bekannteste Jahrbuch der Formel 1. Wie kein anderer berichtet Heinz Prüller aus den Boxen und liefert exklusive Hintergrund-Stories. Mister Formel 1 war bei den bewegendsten Momenten auf der Rennstrecke und in den Fahrerlagern dabei. Er kennt die persönlichsten Geschichten der Fahrer und wird von den Großen des Rennbusiness hochgeschätzt. Die Grand Prix Story ist für viele die inoffizielle Chronik des Rennzirkus. Im Band 50 erinnert sich Heinz Prüller an die aufregende Zeit. Sie lesen die besten Geschichten der letzten Jahrzehnte, für die er auch sein privates Foto-Archiv öffnet. Seine persönlichen Erinnerungen, die interessantesten statistischen Vergleiche aus 50 Jahren und die vollständige Statistik des Rennjahres 2020 machen das Buch zu einem absoluten Highlight der Formel-1-Geschichte.

Kunst und Kultur im Dialog mit der Vorarlberger Alpinlandschaft.

„2000 m über dem Meer“ macht den Berg auf vielfältige Weise erlebbar: Es dokumentiert die unterschiedlichen Annäherungen zeitgenössischer Künstler und Künstlerinnen im Rahmen des SilvrettAteliers 2020, begleitet einen Fotografen bei seiner Motivsuche im hochalpinen Gelände, zeigt künstlerische Auseinandersetzungen mit der Vorarlberger Gebirgslandschaft und nähert sich über Beiträge aus den Bereichen Kulturgeschichte, Architektur und Ethnologie aktuellen Fragestellungen ortsspezifischer Kunst an. Mit Beiträgen von Ingrid Bertel, Kathrin Dünser, Doris Hallama, Gerhard Klocker, Bernhard Tschofen, Andreas Rudigier, Viola Vahrson und dem SilvrettAtelier Montafon 2020 (Regula Dettwiler, Markus Hiesleitner, Roland Haas, Franz Lun, Sabine Marte, Isa Schmidlehner, Payer/Gabriel und Roman Pfeffer).

Residenz classic

First published in 1977, “Wer war Edgar Allan?” marked Peter Rosei’s literary breakthrough. An enigmatic game of deception, it is also a rapturous homage to a deeply autumnal Venice and to Poe, the master of cryptic storytelling. Sympathetically adapted into film by Michael Haneke in 1984, the novel combines hallucinatory delirium with precise societal diagnosis. A drug-addicted student roams through Venice, a shady Contessa falls from the roof garden of her palazzo, a drug syndicate quietly rules behind the scenes, and a mysterious gentleman by the name of Edgar Allan seems to be pulling many dark strings. This new edition features Walter Pichler’s cult cover and makes the post-war classic available to a wide readership once more.

With no illusions but plenty of empathy, Peter Rosei explores the hardships of searching for happiness in the current times.

Lena from the Styrian village, Andràs from the Hungarian tower block and Eva Bartuska from the Czech town of Brno have all come to Vienna seeking happiness and fulfilment. They drift through the city propelled by the promise of social and economic betterment and the dream of true love. But what is this prized happiness? Sometimes it's a branch manager position, sometimes a wild night out, and often a flimsy illusion that shatters on the rocks of everyday hostility. Yet in this novel on the myth of happiness, Rosei strikes an uncharacteristically conciliatory tone. “And so, those who come eye to eye with the degradations of life and abandon all hope, ultimately still have a right to the happiness they long for.”

Arzt’s narrative instantly sucks the reader into the turbulence of the day on which the “annexation” of Austria was decided on.

It’s April 1938 and student Karl Bleimfeldner returns home to vote against the “annexation” to Nazi Germany – the only dissenting voice in the village. The area is in a state of political frenzy and Karl’s daring action leads to repercussions. Rumours spread. The family falls silent. An overexcited mob sets out to confront the traitor in the woods. In “Voice of Dissent” Thomas Arzt acutely hones in on the 24 hours of April 10, 1938, during which the National Socialists succeeded in seizing power over Austria. Arzt tells the story of his great-uncle – in a feverishly restless tale about conformism, cowardice, hopelessness, fanaticism and resistance.

There is a need for public discourse on suicide.

The doorbell rings at the 4th floor apartment of the Marboe family. “Something’s up with Tobias!” “Yes, he’s in the next room. We’re just getting the guest room ready for him.” “No, something’s up with him down on the street!” Since that afternoon of 26 December 2018, life for the Marboe family has never been the same. What happened to Golli Marboe is the worst that can happen to a father. Your own son or daughter committing suicide is a taboo subject even today. Marboe has written this book to his son Tobias. In it, he looks back on the first year following the tragedy. Were there signs he should have recognised? Was there anything that could have been done to prevent it? “Notes to Tobias” illustrates a father’s struggle to come to terms with what has happened, but it is also full of love and strength and the courage to carry on.