Together with H. C. Artmann Peter Rosei goes on numerous motorcycle tours starting from Salzburg. They just go with the flow, one time even until Venice. The novel “From here to there” is born out of this spirit of restlessness and desire for freedom. Published in 1978, it sketches the story of a young man, exploring Europe on a motorcycle. The atmosphere of the novel is characterized by a state of consciousness between reality and dream. Descriptions of a fleeting and intense moments of happiness are highlighted within this story in which constant movement is the leitmotif. The new edition reuses the emblematic cover design of Walter Pichler and allows a broad public to enjoy Peter Rosei’s novel which is often considered his best!

“Wonderful life” is not simply Peter Rosei’s autobiography. It is the attempt to achieve literary truthfulness and tell at the same time the story of a writer who has lived many lives. His motto could be: Life is wonderful, even if it is dreadful at some points. After a humble upbringing, the young man quickly makes good money as the private secretary of the painter Ernst Fuchs. However, he decides to leave everything behind, in order to follow his vocation as poet. Years of deep crises are followed by an adventurous bohemian life side by side with artists and writers of the seventies and eighties, among them his closest and long-standing friend H. C. Artmann. And then there is the big turning point – but read yourself: truth and poetry complement each other in this text.

Lena from the Styrian village, Andràs from the Hungarian tower block and Eva Bartuska from the Czech town of Brno have all come to Vienna seeking happiness and fulfilment. They drift through the city propelled by the promise of social and economic betterment and the dream of true love. But what is this prized happiness? Sometimes it's a branch manager position, sometimes a wild night out, and often a flimsy illusion that shatters on the rocks of everyday hostility. Yet in this novel on the myth of happiness, Rosei strikes an uncharacteristically conciliatory tone. “And so, those who come eye to eye with the degradations of life and abandon all hope, ultimately still have a right to the happiness they long for.”

First published in 1977, “Wer war Edgar Allan?” marked Peter Rosei’s literary breakthrough. An enigmatic game of deception, it is also a rapturous homage to a deeply autumnal Venice and to Poe, the master of cryptic storytelling. Sympathetically adapted into film by Michael Haneke in 1984, the novel combines hallucinatory delirium with precise societal diagnosis. A drug-addicted student roams through Venice, a shady Contessa falls from the roof garden of her palazzo, a drug syndicate quietly rules behind the scenes, and a mysterious gentleman by the name of Edgar Allan seems to be pulling many dark strings. This new edition features Walter Pichler’s cult cover and makes the post-war classic available to a wide readership once more.

Peter Rosei has always been on the move, led by an unfailing curiosity for landscapes and cities, people and their stories. 'The Great Road' for the first time brings together the chronicles of his travels across five decades and three continents. We get to know Peter Rosei as an acutely observant and knowledgeable traveller, who is open to impressions and images, scents and sounds. He steadily approaches the unknown and brings it close, without diminishing its fascination. This wonderfully labyrinthine book takes us from Peking to Los Alamos, from Seoul to Moscow, from Paris to Texas via Bratislava and Istanbul, brimming with the author's appreciation for the vibrancy of the world and the diversity of human life and survival.

Jana, the ambitious daughter of a tired-out hotel owner in the Slovakian Tatras, only has her beauty to help her realise her dreams of a better and more exciting life in the wealthy West. She encounters the profiteer Gstettner, who conducts his murky dealings from Vienna. No matter whether it’s fake designer goods or desperate refugees, Gstettner will trade with anything. Tone Kral, a farmer’s son from the Slovenian Karst region who ekes out a living as a waiter and gigolo, and the aged Viennese theatre critic Kalman complete the quartet. Eager for life, the four characters try to make their way in the grey zone between the old and new political order.

"Whatever you need, you take" Vienna in a gold rush: World War two is over, the black markets are booming, and shady characters are on their way to a new life. The brilliant first part of Rosei's cycle "Wiener Dateien" (Vienna files) span the period from corruption in postwar Vienna to the fancy homes of affluent business people in the 1980s. With artistic ease, he creates an intricate web entangling the lives of parvenus and bon vivants, professors and politicians, perfect wives and superwomen. At the center of it all are Alfred and Georg, two very different friends: One is an anarchist, the other a baby boomer. Rosei's novel is intense, enthusiastically written prose portraying a city where everything has its price and nothing is sacred…

“We are all trying to dance on a golden globe really, whichever and whatever way it rolls,” Swiss businessman Weill, import/export specialist, says philosophically to his partner Blaschky in Vienna’s Café Imperial. At the same time has-been poet Josef Maria Wassertheurer sits on a Vienna market square fantasizing about his next masterpiece, and far away in St Petersburg a mysterious Mr Chernomyrdin is waiting for a crucial phone call. The criminal network of globalists stretches from Zürich and Paris to Bucharest and Moscow, even including the idyllic Salzkammergut. Maintaining a light touch throughout, Peter Rosei has created a satire which makes reality more visible by distorting it – so evilly you will laugh.

Gisela Stern has made it. Coming from a modest background, she managed to marry into a wealthy family, made a career for herself working at a bank and became part of the social elite. And yet, something is missing. She feels a sense of unfulfilled desire, of not quite belonging. When a good-looking, ambitious man enters her life, the carousel of power starts to spin, spinning out of control as politics and desire become more and more entangled… Peter Rosei’s novel – true to his typically laconic style – is the masterful staging of a woman’s rise and fall in the complicated web of a highly corrupt society. A sharp-witted and multifaceted novel.

Life is merely a chance and Georg Asamer has grabbed it: He made it as the boss of a highly successful advertisement agency. After he appoints Andy Sykora as his successor, he recognizes that he has become old – business strategies have changed. Hans Falenbruck, a random acquaintance of Sykora and heir to a large pharmaceutical enterprise, has kept up with the times: He travels to Vienna in order to conquer the Eastern European market. Then there is Irma Wonisch, Falenbruck’s old flame from a good family, who gets together with Tom Loschek. The aspiring broker sparks a sense of adventure in all of them with his appealing investment ideas… Peter Rosei leads us into the heart of a world where – at times by chance, yet always inevitably –destructive wishes and high hopes collide. “Geld!” is a laconically fascinating book, a sharp witted puzzle with comedic undertones.

Apprentice Georg Rohrs isn't the sharpest tool in the box. But he has a dream: he wants to be the elevator boy in a seaside hotel, wants to escape on the night train with his first love Marlies and escape the confinement of his life at home. When Georg happens upon a dead body and accidentally steals his boss's suitcase full of dirty cash, his life begins to unravel: within a single weekend Georg loses his job, his apartment, his parents, his friends, his money, his love and maybe a piece of his sanity – and yet, at the end of this neck-breaking tour-de-force, an unknown sense of freedom awaits him... Martin Lechner's fast-paced debut novel is a whirlwind adventure where provincial comedy meets literary genius. Nominated for the German Book Prize 2014 (Longlist)

Born in Romania between the wars, raised in poverty and washed up in Austria by the turmoil of war, Mrs Berta’s life was one of humiliation, pain and misery. Now in an old people’s home, she describes these violent events to the narrator. He in turn lives in the Pension Adler, with various tattooed, one-armed guests, as well as kindly Swedish women. In the home, with its shifty inmates and carers, he begins to feel comfortable, and takes detailed notes of Mrs Berta’s story. Max Blaeulich’s novel illuminates every shade of despair there is. Yet existential loneliness has seldom been described with such assured language and unsparing precision since Kafka.