Idyllically nestled into the former imperial hunting grounds, now the Lainzer Tiergarten, lies the ‘Palace of Dreams’, as Empress Elisabeth once called her villa. Emperor Franz Joseph had it built as a present to her, in the hope that it would encourage his wife to travel less and spend more time in Vienna. The romantic villa was realised during a comparatively short construction period by the architect Karl von Hasenauer, famous for his numerous buildings along the Ringstrasse. In style, the building was inspired by the country houses of Austria's upper classes. A statue of Hermes, Greek god of travellers and the deceased, holds a prominent position in the garden and gave the villa its name. What relationship did the restless Empress have to her hideaway in the imperial hunting grounds? Which style elements, a subject close to Elisabeth's heart, did she immortalise in the Hermesvilla? In her salient portrayal, Michaela Lindinger, curator at Wien Museum and Elisabeth researcher, offers a key to understanding this important Viennese ‘cult site’.

The bosom friend of ‘Sisi’, Empress Elisabeth, the highly intelligent, highly attractive aristocrat Marie Festetics, wrote a detailed diary over many years. This sensational source text is finally available in full. Over more than 2000 pages, Festetics provides a no-holes-barred description of life at the imperial court, with all its intrigues – mainly against the empress she so admired. Countess Festetics analyses Sisi’s character and describes her changing emotions and her relationship with Emperor Franz Joseph. She makes razor-sharp judgements of the extended Imperial family and the significant figures of her time. A fascinating journal!

Archduchess Sophie is considered one of the most fascinating figures of the imperial court in Vienna. As the mother of emperor Franz Joseph she played an influential role in the imperial family. Despite her political interests, she was smart enough to stay in the background. Popular portrayals of Sophie as "Sisi's evil mother-in-law" or "the secret empress" are by no means confirmed in her personal notes. Ingrid Haslinger spent many years thoroughly researching archives and examining the complete diaries and letters written by Sophie. The result is a wholly new, highly personal look at a woman so relevant for Austrian history and an intimate portrait of a fascinating life.

1918 was a year of radical change and big emotions in Austria. How did the contemporary witnesses experience this time? The aristocracy, bourgeoisie and working classes have their say in authentic accounts. The book brings to light the extremely diverse assessments of that great upheaval. For some it signified the downfall of their homeland and their personal ruin, for others a hopeful new beginning: the mourning of Old Austria and the monarchy, hate for the aristocracy and the Habsburgs, the shock of having been defeated in war, embitterment and resignation, joy over the ending of the war and hope for better times. Gudula Walterskirchen has gathered previously unpublished letters, diaries and recollections which bring that year of great turmoil back to life.

October 26th 1915 was a fateful day for Vienna's leading architect and city planner. It was the day his wife Louise, 18 years his junior, died of cancer. Wagner had started to keep a diary when Louise was first diagnosed and continued to regularly record his memories of better days and comments on current developments. He intended the diary to be a memorial to is unparalleled love for Louise, yet it also reveals the misanthropic despair of a great artist. He considered himself to be at the peak of his craft and felt a Habsburg victory was close, bringing fresh opportunities to realise his plans. But old age afflictions and the miseries of WW1 took a growing toll on his day-to-day life. Rampant anti-Semitism, suffering and paranoia increasingly defined his thoughts. Three years on, the death of this patriarch coincided with the end of the Habsburg empire.