Adored as a god in ancient Egypt, cats traveled the spheres of the known world on ship and on their four paws. They were at home in the libraries and kitchens of monasteries, roamed through backyards and allies, slept in royal beds, were useful against mice and served as muses. Humans have felt love, suspicion and hate towards cats. Their mysterious nature has raised superstitions, but has also been a source of inspiration. It was always artists, most of all writers who were on the cat’s side. Thus the history of the cat is also one of the arts, a cultural history, the history of humankind. Cats have come a long way and this book traces the steps: from early times all the way to the snuggly sofa of today.

One of the keys to Nikolaus Harnoncourt’s artistry was his ingenious talent for conveying musical content in verbal images. Author and choral singer Sabine M. Gruber – both a participant and an observer – kept a record of Harnoncourt’s rehearsal instructions in her notes for 30 years. Combining original quotes with essays, she sheds light on the personality of the man and artist, while exploring the essence of his musical and artistic process. A book full of humour, musical truth and essential wisdom.

The unique rationale behind Nikolaus Harnoncourt's practice of music brought him fame across the entire musical world. With his ensemble Concentus Musicus he broke established traditions and opened up new approaches to interpreting old music. This was in part the result of his intensive research into the sound produced by original period instruments, but more significantly came about as a consequence of questioning conventional hearing habits. What exactly is music? What effect does it have? And what were the intentions of its creators? Harnoncourt's writing on performance practices, baroque music and instruments such as the harpsichord reads like eloquent music making. A wondrous journey through the history of music.

Nikolaus Harnoncourt’s childhood and youth was shaped by hardship and the after-effects of World War II, the parenting codex of the aristocracy to which his family belonged and the love for music. The world was in upheaval, it was a time of great political and societal change. To give his children and grandchildren a greater understanding of this era Harnoncourt wrote down his memories and reflections in a “family book”. How did his family deal with the economic and political shifts? What was life like when everything was no longer what it had been? And what traditions shaped the Harnoncourt family? Nikolaus Harnoncourt’s personal account is a fascinating record of the past.

Nikolaus Harnoncourt devoted himself to the study of early music, the way it is played and the sound of period instruments from an early age. In 1953 he founded the famous Concentus Musicus with his wife Alice and other musicians. This was to provide a forum for his work on period instruments and the historic performance practice of renaissance and baroque music. It was not until four years later that the Concentus Musicus first performed in public. Alice Harnoncourt has brought together the unpublished diary entries and notes of her husband, which recount his explorations on the trail of early musical sounds. It is a fascinating and entertaining journey, during which Harnoncourt had to accomplish much to listen his way towards the original period sound.

In these essays, Nikolaus Harnoncourt summarizes his views arising from years devoted to the performance of early music. The problem of interpreting historical music is particularly critical in our age, when modern music has little aPaperbackeal for the listening public. For performers and audiences to understand music of earlier times, they must learn to comprehend the languages and messages of the past.

The art form of opera is more than 400 years old, but it has maged to stay young and fresh thanks to artists such as Nikolaus Harnoncourt and his unfailing endeavor to continuously renew this art form and our understanding of it. His 80th birthday serves as the perfect opportunity to revisit his life in the colorful world of opera. Numerous examples, from Monteverdi’s “L’Orfeo“ and Mozart’s “Figaro“ to Stravinsky’s “The Rake’s Progress“ illustrate how vivid and lively opera can be. Opera is a theater for all senses, not a dusty relic from the past, a hallow traditon or elitist vanity fair. Text, music, drama and an image of the world portrayed on stage all come together in the unique cosmos of opera, with the purpose of reflecting our human nature. And thus opera is a necessity, like all forms of art. This is what Nikolaus Harnoncourt demonstrates once more with great passion, intelligence and conviction in this enthralling book.

Beethoven and Schubert, Verdi and Johann Strauß, Schumann and Dvořak, Brahms and Bruckner – these are only some of the protagonists of this book in which Nicolaus Harnoncourt deals with the most important works of "the century of romanticism“. The conductor also describes his life-long search for the key to imparting music of this era to the audiences of today, a task that is often being hindered by traditions or changing fashions in performing. In his unrivalled style, with passion and a strong conviction, Nicolaus Harnoncourt outlines how we must never refrain from reading our musical heritage from scratch. Moreover, he shares gloomy memories of his youth under the Nazi regime and fascinating insights into the musical life of the Vienna of his era. All of his statements, be they on music, their cultural significance or his own identity as an interpreter of music, reflect his approach to life itself: that music is not to be regarded as a mere heritage of the past, but also, and particularly, as a living reminder of our right to a humane future.

Born in the year of the “Great Comet”, the path of this child prodigy from Raidling, Burgenland first led to Vienna and later Paris, the Mecca of the musical world at the time. There, Franz Liszt became highly successful as a piano virtuoso and led the life of a sought-after bohemian. Always searching for success as a composer, Liszt’s torn inner state marked his artistic development as much as his love affairs. After concert tours through all of Europe, he was appointed director of Weimar’s court orchestra, where he helped Richard Wagner’s opus achieve a breakthrough. Jan Jiracek von Arnim embarks on a fascinating journey exploring the composer’s life. He follows Liszt’s years on the road as a virtuoso, visionary, musical pioneer, superstar and soul-searcher as he takes a closer look at the person and musician. The result is this magnificent portrait of an exceptional artist.

Beethoven’s music has been part of Rudolf Buchbinder’s life since his childhood. He has played nearly fifty cyclical concerts of all thirty-two piano sonatas, and performed the piano concertos with all major orchestras and conductors, as well as conducting himself. This wealth of experience has found its way into his book, in which Beethoven’s piano works are used as stations on a journey through the composer’s life and oeuvre. Describing his own life in music, Buchbinder the performer brings Beethoven’s world to life, reflected in his personal experiences and revelations – Beethoven’s era, his emotions, passions, triumphs and defeats.