In ‘Nothing But Sky’, Peter Henisch returns to his beloved San Vito, to a hidden apartment under the eaves in this small Italian town. For musician Paul Spielmann, who has just fled the pandemic and a midlife crisis in Vienna, it becomes a refuge. Paul finds peace during evenings on his terrace, taking photographs of metamorphosing clouds and flocks of birds, until suddenly a man appears across the roofs, one of the clandestini, refugees from Africa who are increasingly becoming a focus of protest and agitation among the Italian right wing. ‘Give me shelter’ the man begs, and Paul takes him in and helps him. Soon, he is drawn into a maelstrom of ambivalent emotions and political propaganda – and a growing friendship with Abdallah …

As a bookseller, elderly Mr Roch has always been surrounded by books. Now he's written his own "novel of the century". It's all about literature, from Musil and Roth through to Bachmann and Handke – stories in which the notion of possibility often overrides reality. Mr Roch asks Lisa, a student and waitress in his favourite café, to type up the manuscript for him. As she can't read his writing, he decides to read it out to her, but his papers are in a dreadful mess. An ambivalent relationship develops between the old man who's brimming with stories and the young woman who doesn't believe everything he says. But Lisa has other worries too – her friend Semira is due to be deported. Can Roch's storehouse provide a refuge for her?

Karl May met Franz Kafka on a ship to the United States. Fact or a brilliant piece of fiction? In his mind, the adventure author Karl May visited the United States a million times. But it is not until September 1908 that the 66 year-old, accompanied by his second wife, Klara, actually boards ship to New York in Bremerhaven. As fate will have it, Karl May meets the famous Franz Kafka on board. The very gaunt and very pale young man is standing at the railing. God forbid, is he about to throw himself into the sea? Who else but Karl May and his much younger wife could save him for the sake of life and literature? The ensuing love triangle completes the ingredients to this great story. Peter Henisch’s novel is a hilarious fantasy, an intimate novel settled somewhere between fact and fiction. With lightness, yet lots of sensitivity he succeeds in joining what we were drilled to keep apart from an early age: Franz Kafka vs. Karl May, high vs. low culture, living a lie vs. living in fear. It comes as no surprise that this book sends sparks flying!

Novak is a late bloomer when it comes to the wide world of emotions, which he discovers in a hospital, of all places. Because his hospital roommate keeps him from sleeping, the Indonesian nurse Manuela lends him her walkman and tapes, thus infecting him with her love of opera. After being discharged Novak somehow can’t get back into the routine of his regular, ordinary life. Manuela has opened his ears – not only to opera, but also to the annoying racket of everyday life: noise from lawn mowers, jackhammers and his wife Herta. While he continues his new of listening to opera, Herta suspects another woman behind his new passion. She’s not that far off the mark. But Manuela suddenly disappears. Was she merely an illusion on the stage of Novak’s middle-aged dreams? Or could his wife somehow be involved in her quiet disappearance? Even without her, the grand finale is a striking as an opera: cruelly dramatic.