A satire about the rise of the right, state power, resistance, and terrorism – as shrill and loud as if Monty Python had taken over the IS.

Under right-wing populist Michael Hichl, Austria has become a despotically ruled police state. Dissidents, foreigners, and homosexuals are made illegal, the country is run down, and border regions are abused as cheap production sites where the rural population and regime critics slave away in sweatshops. We meet some drifters cluelessly wandering around Austria: Emma with her dilettante assassination plans, opportunistic former callboy Pascal, Alwine who's searching for the love of her, and Wolferl the no-good son of Hichl's chief PR guy who can't get over the murder of his ex-girlfriend Valli Putschek. But something is going on in Upper Austria's impoverished Mühlviertel: Austria's first terror militia, the "Christian Republic" is making its way towards the hills around Linz. Just then the four lost souls cross paths and things quickly get out of hand.

An infallible guide through our most painful, but necessary memories Martin Pollack is one of the leading authors in the field of East European history. His work is a continuous effort against forgetting the victims of the 20th century. [Georg Renöckel, NZZ]

"Topografie der Erinnerung" is a collection of the brilliant essayist's most striking speeches and articles. They deal with topics as diverse as the massacre of Reichnitz in the last weeks of the war; so-called "Reibepartien" (scrub groups) where Jews were humiliated and forced to scrub the street; the myth of Galicia; Poland and Ukraine's postwar history; or Pollack's own family's entanglement with the Nazis. His investigations are always astute and critical, they are always aimed at keeping memory alive and against false claims of innocence. Time and again he asks the key question of memory politics: How can and must we deal with these memories today?

A remarkably modern author and her sophisticated work Rediscovering Ebner-Eschenbach is more than worth it, in both a feminist and literary sense… [Elfriede Hammerl, Profil]

Austria's most famous female author of the 19th century was underestimated as a "poet of kindness & grace", yet she was so much more: Poetic realist, playwright, aphorist, proponent of women's rights, fighter of anti-Semitism, officer's wife, trained watchmaker, animal friend, and avid horseback rider. In the first German biography since 1920, Daniela Strigl traces Ebner-Eschenbachs life from her birth in Zdislavice castle to her late fame as an author. The multi-faceted author was always torn between her aristocratic background and her socialist opinions, between ethics and irony, ambition and humility, social obligations and her passion for writing. Maria von Ebner-Eschenbach unwaveringly held on to her goals, despite resistance from her family and bad reviews from theater critics. "If there is a belief that can move mountains, then it is the belief in one's own strength."

Breathtakingly weird: Barbi Marković's urban novel is an ode to pessimism and three truly contemporary superheroines

Every Saturday, three superheroines meet in a run-down café called Sette Fontane. There is Mascha, the brave supportive one, Direktorka, the inexperienced one ready for adventure, and Marija's granddaughter who has a flexible conscience and revenge in her veins. The three have dark, chaotic powers and want to bring justice to Vienna's suburbs as they plan a futile uprising of the middle class. "Lightening of Fate" and "Annihilation" are the weapons that grandma Marija already successfully used to destabilize an entire country. After failed appearances and painful years of learning in Berlin, Belgrade, Sarajevo and other cities, our three superheroines ultimately find triumph in the darkest of all happy ends.

Martin Lechner, a master of words, pulls out all the stops with his intriguing new story collection. Hurrah, they still exist! Mature literary debuts that shine with sophisticated language and a strong and convincing composition. (…) Sometimes expressionist prose full of stark contrasts where every feeling materializes, sometimes absurd theater of desperation, and then suddenly juicy and vibrant crime comedy in the style of German Comedian Helge Schneider… [Oliver Jungen, FAZ]

Lechner's stories collide like waves. They pass on words, images, or moods, flow into one another and yet, remain self-contained. They are uncanny and high-spirited and tell us about desperate lakes and knees to fall in love with. They are about films we vaguely remember and brightly lit cities, silently bursting bubbles of blood and summers long brushed aside. They are all at home in a language where something new and unexpected awaits behind each turn. Lechner achieves this feat with humor, the absurd and sentences that give us a touch of the ungraspable.

Susanne Scholl tells a touching and humorous story of waiting and dreaming and of moments of truth that happen when we least expect them.

Lilly spends seven summers with her Italian friends on Sardinia, savoring the uncomplicated, delightful air of an endless vacation – and time spent with Gianni, who is the opposite of a Latin lover, but impossible to forget. Seven winters bring Lilly back to Vienna and the unpleasant routine of her daily life: Her ex-husband has a new, young girlfriend, her best friend dies of cancer, and her father comes out of the closet and writes a tell-all book about it. And so Lilly escapes into a fantasy world, dreaming of life with Gianni, of having a child. But the last summer forces her to finally bring her wishes and reality face to face.

A fascinating dialogue about living and writing

To his interviewer, writer and ethnologist Hans-Jürgen Heinrichs, Gerhard Roth is not only the last great epic novelist, daring to write cycles such as “Die Archive des Schweigens” and “Orkus”, he is also one of the greatest masters of language, transgressing the boundaries between literature and history. In this in-depth, lively dialogue the two men fathom Roth’s great novels and address personal subjects such as the origins of writing, the significance of memory and indeed death. The reader embarks on the “Journey into the Unspeakable” Roth takes in his writing.

Alphabet soup is a celebration of literary and culinary diversity, to be devoured on the page and the plate!

The successful intercultural theatre project “Wiener Wortstaetten” is celebrating its tenth birthday. Since 2005 it has hosted theatrical productions by writers from various countries speaking various languages and reflecting the diversity of the capital Vienna: Turkey, Russia, Iran, Bulgaria and states from the former Yugoslavia have all been represented. As well as enriching German-language literature with their stories, writing and performing for the ”Wiener Wortstaetten”, each writer also cooked unique soups, mixing ingredients from their old and new homes. Short stories and recipes by Ibrahim Amir, Susanne Ayoub, Ana Bilic, Seher Cakir, Yasmin Hafedh, Michal Hvorecky, Jérôme Junod, Ursula Knoll, Rhea, Krcmárová, Valerie Melichar, Barbi Markovic, Azar Mortazavi, Goran Novakovic, Dominic Oley, Ewald Palmetshofer, Thomas Perle, Semir Plivac, Julya Rabinowich, Andreas Sauter, Gerhild Steinbuch, Marianne Strauhs, Bernhard Studlar, Robert Woelfl

Thomas Bernhard – A Biography

Thomas Bernhard was all that and more, as this comprehensive biography shows. The acknowledged expert Manfred Mittermayer has drawn together Bernhard’s life and work into one great story, reaching from his ‘origin complex’ – his grandfather Johannes Freumbichler’s family – to his premature death following years of illness. Mittermayer creates a nuanced picture of Bernhard’s multi-layered public image and the various phases of his private life, placing his most significant works of prose and theatre in relation to a life story inseparably bound to post-war history. “I cannot deny that I’ve always led two existences: one which comes close to the truth, which I do have the right to describe as reality, and another which I have played out. Over time, the two together have formed the existence which keeps me alive.” Thomas Bernhard, Der Keller (The Cellar – part II of his autobiography)

The incredible tale of an extremely chaste saint, his portrait and the painters Rubens and Van Dyck

Witty and inquisitive, Alois Brandstetter goes in search of his patron saint and namesake Aloysius. The journey takes him to Mantua in Italy at the turn of the sixteenth and seventeenth centuries. The thoroughly chaste Aluigi, who died young, has just been beatified, and his mother is looking to have his portrait painted for the new church being built in his name. The job is offered to Rubens of all people, whose work celebrates the pleasures of the flesh, but he turns it down and recommends the boy wonder Van Dyck, nineteen and highly talented. Letters fly between Mantua and Amsterdam. Will Aluigi’s Portrait ever be painted? Perhaps not on canvas but certainly in the form of an enchanting historical fantasy created by Alois Brandstetter.