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Coverabbildung von "Haus des flüssigen Goldes"

Clemens Berger - HOUSE OF LIQUID GOLD

Clemens Berger paints a wildly comical picture of our society in this touching tale of solidarity, struggle for survival and motherly love.

Babies need milk – from the breast or the bottle. This is where Clarissa begins with the “House of Liquid Gold”: women like Maya, a single mother who was previously making a living from casual jobs, express their surplus milk in a comfortable environment and take a share in the profits. Things are going well until the biggest manufacturer can no longer supply families with formula; then breast milk becomes a matter of life and death. When Maya takes the side of the desperate women and their hungry babies, she becomes a social media icon. Clemens Berger’s fast-paced satyr takes us on the rollercoaster of emotions Maya experiences on social media: she is celebrated, suffers backlash and receives offers of millions of euros, not to mention death threats – and she has to find her own way.

Book details

216 pages
format:125 x 205
ISBN: 9783701717910
Release date: 23.09.2024

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  • World rights available
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Authors
Clemens Berger

born in 1979 in Austria, studied philosophy in Vienna, where he lives as a freelance author. He has received numerous prizes and scholarships for his work. He was co-editor of the European online magazine "Versopolis" and taught at the Mozarteum University Salzburg and at Bowling Green State University. Berger has published novels, plays, essays and short story collections, most recently the novels "Das Streichelinstitut" (2010), "Ein Versprechen von Gegenwart" (2013) and "Im Jahr des Panda" (2016). Most recently published by Residenz Verlag: "Der Präsident" (2020), "Das Haus des flüssigen Goldes" (2024).

Press

Die Welt ist käuflich, und damit jeder und jede: Das führt Clemens Berger gekonnt und unterhaltsam vor. (...) Er zeigt, wie volatil die Werte sind, auf denen die Gesellschaft unserer Tage ruht. Frühere Normen eines humanistischen Miteinanders sind längst außer Kraft gesetzt. Stattdessen werden seltsame Gesinnungen wie etwa ideologisch überhöhte Mutterschafts-Dogmen zu Ersatz-Philosophien, denen die Menschen blind aufsitzen.
[Quelle: Ex Libris Redaktion, Ö1]

Es ist interessant, dass ausgerechnet ein Mann sich dieser heiklen Materie literarisch angenommen hat. Kaum ein Thema hat ein derartiges Aufreger-Potenzial wie die Themen Muttermilch, Stillen und Geburt. Und Berger macht das sehr gut, nicht eine Minute kommt man auf die Idee, dass „Haus des flüssigen Goldes“ nicht von einer Frau geschrieben worden sein könnte. Das ist nicht überheblich-sexistisch gemeint, sondern als Kompliment.
[Quelle: Doris Kraus, DIE PRESSE]

Eigentlich ist dieser schlaue, unterhaltsam zu lesende Roman keine Satire, sondern eine Horrorgeschichte.
[Quelle: Barbara Beer, Kurier]

Eine gut erzählte, mit Freude an die Grenzen gehende Farce zwischen Empathie, Mutterliebe und Internet-Irrsinn.
[Quelle: BÜCHER magazin]

Der österreichische Autor hat eine Geschäftsidee rund um das Abpumpen und Verkaufen überschüssiger Muttermilch ins Zentrum seiner Satire gestellt, und stellt damit die Verrücktheiten unserer Gesellschaft gekonnt an den Pranger.
[Quelle: nau.ch]

Ein geniales, beschämendes, der Lust- und der Häme volles Buch, das uns staunend die Prozesse moderner Mythenbildung erkennen lässt.
[Quelle: Johannes Koessler – Buchhandlung Seeseiten]

Eine der Stärken von Bergers Erzählverfahren besteht darin,Widersprüche im Verhalten aller Figuren sichtbar zumachen. Individuelle Profitinteressen, soziale Fürsorge, feministische Argumente, aggressiver Moralismus und sozialer Geltungsdrang sind so miteinander verwoben, dass niemand eindeutig im Recht oder Unrecht ist.
[Quelle: Erika Thomalla, Frankfurter Allgemeine Zeitung]

Events
Lesung
Thalia, Landstraße 41, 4020 Linz

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